![Portrait de Louis-Francis-Armand de Vignerot du Plessis, duc de Richelieu (1696-1788) vieux libertin, au petit lever de Jeanne Becu, madame du Barry Stock Photo - Alamy Portrait de Louis-Francis-Armand de Vignerot du Plessis, duc de Richelieu (1696-1788) vieux libertin, au petit lever de Jeanne Becu, madame du Barry Stock Photo - Alamy](https://c8.alamy.com/comp/2BDT08X/portrait-de-louis-francis-armand-de-vignerot-du-plessis-duc-de-richelieu-1696-1788-vieux-libertin-au-petit-lever-de-jeanne-becu-madame-du-barry-2BDT08X.jpg)
Portrait de Louis-Francis-Armand de Vignerot du Plessis, duc de Richelieu (1696-1788) vieux libertin, au petit lever de Jeanne Becu, madame du Barry Stock Photo - Alamy
![Art in France. e facades with their lofty roofs are enlivened by the simple design of the windows, and the beauty of the dressed stone; though it lacked the ornamental richness Art in France. e facades with their lofty roofs are enlivened by the simple design of the windows, and the beauty of the dressed stone; though it lacked the ornamental richness](https://c8.alamy.com/comp/2CENBDJ/art-in-france-e-facades-with-their-lofty-roofs-are-enlivened-by-the-simple-design-of-the-windows-and-the-beauty-of-the-dressed-stone-though-it-lacked-the-ornamental-richness-of-the-new-louvre-the-general-effect-has-a-very-refined-elegance-fig-372-following-the-royal-example-the-nobility-and-the-middle-classesbegan-to-make-new-dwellings-richelieu-had-lived-in-the-petitluxembourg-in-order-to-be-near-the-queen-regent-he-had-thepalais-royal-built-to-be-near-the-king-the-quarter-of-the-maraisand-the-he-saint-louiswere-soon-covered-withstately-houses-in-theinteriors-were-galleriesado-2CENBDJ.jpg)
Art in France. e facades with their lofty roofs are enlivened by the simple design of the windows, and the beauty of the dressed stone; though it lacked the ornamental richness
![The grammar of ornament . , and in France at the accession of Henry IV., caused an increased demand forthe goldsmiths productions; and subsequently the magnificence of the Cardinals Richelieu andMazarin The grammar of ornament . , and in France at the accession of Henry IV., caused an increased demand forthe goldsmiths productions; and subsequently the magnificence of the Cardinals Richelieu andMazarin](https://c8.alamy.com/comp/2CDCR34/the-grammar-of-ornament-and-in-france-at-the-accession-of-henry-iv-caused-an-increased-demand-forthe-goldsmiths-productions-and-subsequently-the-magnificence-of-the-cardinals-richelieu-andmazarin-paved-the-way-for-the-age-of-louis-le-grand-in-france-for-whom-numerous-fine-worksof-art-were-executed-by-the-parisian-goldsmith-claude-ballin-who-together-with-labarre-vincentpetit-julian-desfontaines-and-others-worked-in-the-louvre-one-of-the-objects-which-greatlyerupted-the-ingenuity-of-the-jeweller-at-this-period-was-the-aigrette-which-was-generally-wornby-the-nobility-from-thi-2CDCR34.jpg)